The 1980s were filled with a plethora of teen dramas and coming-of-age stories. Those living through the 80s as teenagers or young adults were generally considered Gen X and are often associated with being cliquey, cynical slackers with a sense of rebellion and a lack of adult supervision. Acclaimed writer and director John Hughes would personify these social archetypes in his hit film The Breakfast Club.
The film takes place on a Saturday in a high school’s library, where five students have been sentenced to detention for the day. Each student represents a various clique in school. First we have Claire Standish (Molly Ringwald) as a typical upper-class popular girl who comes off as stuck up and cold. Andrew Clark (Emilio Estevez) is a star athlete with a short temper. Next comes Brian Johnson (Anthony Michael Hall) who, due to his scholastic successes and social awkwardness, has been labeled a nerd. The next character is that of Allison Reynolds (Ally Sheedy); Allison is considered a social pariah due to her strange and nihilistic behavior. Lastly, we are introduced to the bad boy of the group, John Bender (Judd Nelson). John is angry at everyone and everything in the world. He lives a rash and anarchistic lifestyle and challenges every social taboo.
The antagonist to this group is the Vice Principal Richard Vernon (Paul Gleason). Principal Vernon is a cruel authoritarian who cannot or refuses to understand or sympathize with the current generations of kids he oversees at the school. He is determined to prove to those unwilling to follow the rules that they will never amount to anything.
As the day progresses, the group goes from being at each other’s throats to slowly coming to realize that each of their problems at school or at home aren’t so different. They leave seeing each other as individuals and wish the world would see them that way too.
The Breakfast Club is easily one of the most identifiable films of the 1980s. It holds its place in the nostalgia of anyone who grew up during that time period and continues to inspire countless teen dramas today. In 2016, the film was selected for preservation in the United States National Film Registry by the Library of Congress for being “culturally, historically, or aesthetically significant.”
The Breakfast Club is available at the Union University Library. Please note: it is Rated R for language.